It has taken me some time to comment on
Indiana Jones and the Kingdom of the Crystal Skull. An initial viewing left me too disheartened to give a reasoned response to the highly anticipated sequel. I wanted to rail against George Lucas and his attempts to destroy the fond remembrances from my childhood while seeking to ruin modern cinema in the process. Why the incessant need to add to classic works with inferior sequels and prequels? Didn’t
The Phantom Menace teach anyone a lesson?
Why not ruin some more great films? Perhaps, Lucas should team with Coppola to make a new
Godfather. Or maybe use Jar Jar Binks-like effects to bring back Bogart in
Return to Casablanca.
My annoyance wasn’t direct towards Steven Spielberg. He hasn’t made a film I’ve enjoyed since
Saving Private Ryan, but at least he was making new uninspiring films. Even when
remaking an old movie or
adapting a short story, Spielberg wasn’t cheapening his past films. But it only took the influence of George Lucas for the former blockbuster wizard with diminishing directorial skills to participate in the slaughter of one of the great film franchises in the short history of cinema. Thus, the CGI fetishist of
The Phantom Menace teamed up with the man responsible for such underwhelming film endings as seen in
A.I.,
The Terminal, and
War of The Worlds.
Specifically, there are four scenes that ruined the film for me:
1. The refrigerator
2. Mutt swinging vine to vine
3. The drive over the cliff onto a bending tree branch (hasn’t this happened to the Road Runner?)
4. The flying saucer
For days, I complained about the movie and those scenes. The film was too over-the-top. It was too corny—too unbelievable. But I was challenged by a few who enjoyed the movie. Defenders of the film would usually bring up how strange each of the original three movies had been. The Ark of the Covenant being opened at the end of
Raiders of the Lost Ark, the hearts being ripped out in
Indiana Jones and the Temple of Doom, and the cup of Christ that gives life in
Indiana Jones and the Last Crusade—all very strange indeed.
Michael Medved writes in his positive review of Kingdom of The Crystal Skull, “If the over-the-top ending leaves you scratching your head, well, that’s true of the earlier Indie movies, isn’t it?”Yes and no.
There seemed to be a difference between the fantastic story elements of the first three films and the new sequel. It just took me a bit of time to figure it out. The first three films had
supernatural elements while the new film strictly deals with the
paranormal. Even though
paranormal events can’t be explained by scientific means, these phenomena still occur within our natural world. The
supernatural, however, deals with that which is outside or above nature.
UFOs, aliens, and spaceships could all operate according to natural laws. They could even one day be explained scientifically. Some naturalists even take the idea of aliens starting life on earth more seriously than the idea of the earth having a divine being as a creator. For an example of this, check out the conversation between
Richard Dawkins and Ben Stein in
Expelled: No Intelligence Allowed.
The Ark of the Covenant and the cup from the Last Supper both contain supernatural elements based in a belief in the great other—a god who is beyond nature. The Thuggee cult that makes sacrifices and uses mind control also has a supernatural bent with hints of demonic activity—again beings that are beyond nature.
As someone who has rejected naturalism, I am much more comfortable with the events of the original trilogy. This is not to say that I believe in all the supernatural elements of the films, but I do find the idea of God acting in this world, and even demons interacting in the natural world, to be more plausible than a giant alien spacecraft taking off in a South American jungle.
Now, all four of these films are works of fiction, and I understand the place of the paranormal in fiction. I have enjoyed quite a few films that deal with UFOs and space aliens. The problem arises, for me, when a franchise that was grounded in a worldview that allowed for the existence of the supernatural uses paranormal activity interchangeably with the supernatural. It is as if to say that supernatural and paranormal events are both equally fictitious or that supernatural events are really just paranormal events that have yet to be explained. An
earlier script for
Kingdom of the Crystal Skull is reported to even suggest that these aliens were the original reason behind man’s belief in the divine.
Naturalists view much of the historical record of the Bible as myth. The notion of little green men seeding life on earth becomes more plausible than a Creator who rises from the dead. Mix science fiction into a film franchise that uses portions of historical record for story elements, and the truth get lost somewhere. Confusion sets in. God becomes as much a fairy tale as E.T. Any film that adds to this confusion should be rejected.
Next time you wanna make a sequel, George, try mining the depths of the
Howard the Duck franchise.